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Comedian Dave Little is the newest edition to the team here at Best of Texas. As one of the funniest guys around, he’ll pop on a couple of times a month to let us know what’s going through that brain of his. Here’s Dave’s first post for us. Enjoy…
I am not interested in politics. I ran for student council in high school because I was under the impression we would have a longer lunch on the days that we met. That was not true. I think I was elected because I could keep a secret and played on the varsity basketball team. Those were my qualifications. My only contribution to the group was in the yearbook photo where I goosed the kid in front of me so he made a face while I looked on innocently. Wayne Newell was his name. I believe he became a dentist. Sorry for what I did, Wayne.
I am interested in politicians who get caught with their hand in the cookie jar. I believe that euphamism covers it all, whether it’s graft or greed or sexual misconduct. In fact, when I read about someone who is dressed down or publicly skewered, I want to buy them a beer. And some potato skins. Loaded. I trust people who make mistakes. I tell my kids that the worst thing you can do is not admit when you are wrong. And that you will never get in trouble for telling the truth. Okay, that’s probably something that will come back to haunt me: “Dad, I told my teacher that she was stupid.”
I am not interested in the things that politicians say to get elected. They hardly ever come true and are so generic that it’s hard to figure out if they were actually responsible for getting it done. How about a platform consisting of “I’m going to do the best I can and if your life isn’t better in the next two to four years I will give back what I was paid and resign from office but it is up to you to list the things that happened to you and why you consider it my fault.” You’re right. Wordy.
I am interested in everything being okay. I do like chaos as long as it is organized and doesn’t surprise me. I consider myself a liberal but my kids believe I’m a dictator and my wife is certain I’m a moderate and they are all correct. I am a social chameleon who speaks up when I shouldn’t and is a wallflower when it would be in my best interest to interact and make friends and be inquisitive. But if I don’t want to be like that, if it makes me uncomfortable, I would be less than genuine and I couldn’t live with myself. I’d be a phony. And that’s why I’m not interested in politics.
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Dave Little is a Dallas-based stand-up comedian, writer, musician and actor. He’s funny for Best of Texas twice a month, but he’s funny all the time on his website www.lovedavelittle.com.
For the longest time I’ve been a little confused about how I feel about the Nissan Xterra. Perhaps that’s because it seems to be a little confused on its own.
The first generation of Nissan’s small truck based SUV was introduced in 2000 in the midst of Nissan’s darkest period. Suffering through a full on collapse of the Asian economy. Nissan had fallen victim to the same self-delusion of infallibility that many big companies fall into after decades of success. They started believing their own hype and found themselves overwhelmed by debt.
It became so bad, at one point, Nissan’s product line had not been updated in years, sales were floundering, and quite possibly the strangest automotive savior came to rescue the massive company. French giant Renault came in and partnered with Nissan creating a Franco-Nippon global company referred to as the Renault/Nissan Global Alliance.
At first the mere idea that Renault, which had been an example of a company with a run-away union problem, beset on all sides by strikes and governmental semi-ownership, being anyone’s savior was ludicrous. But after the French government intervened in a series of particularly nasty strikes and corporate revolts in the early 1980’s Renault quietly became a very well-run global company that completely ignored the American market.
Renault was able to bring stability and financial backing to the deal and Nissan really did have some of the most advanced manufacturing abilities, supply chain, and design expertise in the business. A man who is now somewhat of a legend in the business world, Carlos Goshen, was put in charge and Nissan became the company it could only have dreamed about only a few years before.
One of the first new products out of the alliance was the Xterra. Based on the same frame chassis as the “Hard Body” Frontier small pickup trucks, the Xterra hit the market in North America winning the Motor Trend Truck of the year and other accolades. The only problem was Nissan didn’t have a penny to spend on extra marketing and never really reached out to create the image of the Xterra.
That image and the reality of the Xterra (now second generation) is where my confusion lies. The Xterra has been successful, if not a run-away success, in carving out sales in the multi-functional, athletic and adventurous consumer market. You see dozens of Xterras full of dogs, festooned with mountain bikes, canoes and windsurfers strapped to the roof racks criss-crossing their way from softball games to trips to the REI camping store. The adventure sports-minded consumer comprises a huge chunk of their business but the anomaly that they are almost all female makes for a “Huh? How the hell?”.
Nissan managed to land an affluent, well educated, young and mobile market organically. It just grew seemingly by itself as the corporate money was more focused on pumping life into the Crossover market, backing the Rogue and Morano wagon-utes in pursuit of the “soccer mom,” and the counter culture market wrapped itself around the Xterra.
Nissan did toss some of their marketing dollars into music festivals and X-Game festivals, but the legitimate off-road capabilities, ease of use on-road and functionality of the Xterra grew its own market.
The 2011 Xtera PRO-4X provided to Any Driven Sunday is a great example of how building something with the right combination of form and function works really well. It is like driving with an excellent automotive backpack slung over your shoulder. It has dozens of really smart, well conceived and well executed little touches that may not be obvious at first blush. There are pockets, little doors and slots throughout the truck to stick and store the multitude of bits of stuff you don’t even realize you have.
This package is the high water mark on options for Nissan including: leather seating, XM, Bluetooth, GPS, Rockford Fosgate sound system with Ipod/MP3 integration, and pretty much every power option short of air conditioned seats. It is also one of the pricier packages you can load up on at $32,000.00, only the NISMO package comes in higher.
Any full frame truck like the Xterra is going to have a slightly more harsh on-road ride than a “lifted car” crossover, but after spending a week popping and bopping around in the Xterra that rougher ride is just part of the appeal. The truck frame and real off-road abilities on the PRO-4X are just downright fun. As a small UTE the Xterra has the ability to go pretty deep off the beaten path, turn around, and get you home again in one piece.
Side note, The Pro-4X package came with roof-mounted off-road only lights. They are too powerful to be street legal on road and are activated by depressing a switch on the dash when the high-beams are engaged. These are so powerful that when I tested them out sitting in front of my house, I am not sure, but I think a squirrel spontaneously combusted in the tree in front of the truck. It’s like seeing daylight, and yes, they are blindingly bright. This is not something to try and flash at oncoming cars on I-35 as they might blind them and cause a wreck. This is why they are redundantly switched the way they are.
Running with a 261hp truck-inspired variation of Nissan’s corporate-wide 370Z inspired 4liter V6, the Xterra is not exactly a fuel sipper but EPA estimates of 15/20 are really spot on to the reality experienced on, and off, the roads of North Texas.
All these capabilities and real world functionality might just explain why I have been so confused by my feelings for the Xterra. It stems from the fact that the little truck can do so many things well that it has the ability to be a bit of a chameleon. Whether it’s a truck, car, backpack or pelican box on wheels. My confusion, I now realize, was more that the truck can be what ever you want it to be.
Tired of the red meat are you? What’s that, you say? You’ve never tried meat? Interesting. Perhaps you, like English crooner Morrissey believe that Meat is Murder (Aside from naming one of his albums from his days with the Smiths Meat is Murder, he has famously stormed off of stages mid-set upon simply smelling some form of meat being grilled in the vicinity of his performance).
Well, if you find yourself looking for food that never had a face, then Texas isn’t really that bad of a spot, even with it’s reputation for all things butchered. So, for all of the vegetarian’s and vegans out there, who might be new to the state, or new to the meatless movement, below are a few highlights from some of our major cities in case you find yourself wondering where you can get a killer stack of vegan flapjacks…
DALLAS –
- Spiral Diner & Bakery- Speaking of vegan pancakes. Check out either the Dallas spot or the Ft. Worth location.
- Bliss Raw Cafe and Elixir Bar - Takes the vegan experience to creative, new levels.
- Cosmic Cafe - The grand old dame of the vegetarian dining experience in Dallas.
HOUSTON –
AUSTIN -
- Counter Culture - Food trailer with a conscience.
- Veggie Heaven - A plain-jane spot, lacking any pretense near the campus, it’s seemingly been around forever.
- Conscious Cravings - Another trailer that shows how Austin just gets it. you know what I mean. They just do.
SAN ANTONIO –
For years now, Centro-matic, a band that began in Denton well over a decade ago, has been known as a prolific group that has risen to a rather lofty status in the world of American Indie-rock. Led by Will Johnson, now an Austinite, the band hasn’t yet put out a record that one would consider anything less than stellar.
The band members themselves are highly sought after when it comes to contributing their individual talents to other’s projects, even. Johnson was the touring drummer for the massive Monsters of Folk project, and he also played guitar on Patterson Hood’s (Drive by Truckers) last solo album. Of course, that’s aside from his many producing projects. Drummer and sound engineer extraordinaire Matt Pence has toured with Jason Isbell while multi-instrumentalist Scott Danbom has played with Slobberbone and Sarah Jaffe. See? In-demand!
Their new album, Candidate Waltz, has reawakened many to the greatness of this band and has already began earning more than its fair share of rave reviews and predictions of the album finding its way onto a solid amount of year-end-best-of lists (Hint: There’s no way it’ll avoid landing on this blog’s list of 2011′s Best Texas Albums. Not a chance).
Enough of me blabbing. Since it’s always nice to see fellow Lone Star dwellers win praise from outside of our own borders, I’ll just let you see for yourself, OK?
- PopMatters digs Will Johnson’s prolific nature…
- Paste loves the straight-forward rockness of the album…
- Prefix Magazine is also a fan of the album’s somewhat “un-hip” straight-forward nature…
- Spin Magazine is yet another admirer of Johnson’s ability to create so much, so well, so often…
So, there. Centro-matic might be a band from our state, but it’s clear that their appeal lies beyond the Red River. Still not sure? Check out the tour schedule for the guys. There aren’t many corners of the great 48 they wont be hitting soon, if not later…
A couple of weeks ago I mentioned how I really want to hit the Disc Golf course soon. It’s something I haven’t done before and Texas provides many an opportunity to do so. Well, here’s something else I want to do, but haven’t yet. Hit Marfa!
The dry, West Texas town not too far from Big Bend National Park has obviously become quite the trendy locale in the past few years, and from what I can tell, that trendiness is for good reason, really. It’s often referred to as a sort of artist’s retreat of hideaway; a bohemian enclave deep in the heat of our state, away from the typical artistic areas of the Hill Country or even certain parts of the Gulf Coast. In recent years, the town famously provided the backdrop for the Oscar-winning Coen Brothers film, No Country For Old Men.
Something even more than all of that recently caught my eye and really made me understand what I’ve been missing by not having visited Marfa before. Back in April, Mumford & Sons, along with a few other bands condcted a tour where they were carried by train and performed at various, funky spots along the way. Marfa was one of the stops and word of the show that resulted is that it was one heck of an event.
The concert took place at El Cosmico, a spot that seems to only be possible in the arid environs of the west. Run by Liz Lambert, who is responsible for the always in-demand Hotel San jose in Austin, El Cosmico’s website describes itself as “part vintage trailer, yurt and teepee hotel and campground, part creative lab, greenhouse and amphitheatre – a community space that fosters and agitates artistic and intellectual exchange.”
Sounds pretty cool, right?
Look, I’m sure there are tons of cool bars and foodie spots in Marfa, and I’m sure the lights are cool and all, but I think I’d be fine figuring all of that out once I got my teepee all set up, first…you?















